When Jealousy is Not a Curse – My Georgette Heyer Addiction: Guest Post by Avril Tremayne

Today, I am very pleased to welcome author and fellow #DashItAll Avril Tremayne with a guest post on Georgette Heyer!

Composing a Letter by Vittorio Reggianini, (1858–1938).

Composing a Letter by Vittorio Reggianini, (1858–1938).

I’m admitting upfront to a case of author envy when it comes to Georgette Heyer – even though I write super sexy, ultra-contemporary romances that are a world away from Heyer’s bygone eras full of heroes and heroines who fall in love before they even kiss. Continue reading

Queen Victoria’s First Visit to the London Theatres as Monarch: Guest Post by Joanne Major and Sarah Murden

Today, I am very pleased to welcome historians Joanne Major and Sarah Murden with a wonderful guest post on Queen Victoria’s first visits to the London theatres upon her ascension to the throne in 1837!

Queen Victoria ascended the throne in June 1837 upon the death of her uncle, William IV. She was just eighteen years of age and her youth symbolised a new beginning. We wanted to share the details of the first visit to the two main London theatres by the young queen as a reigning monarch, not least because there are some wonderful images of Victoria on those two evenings.

Queen Victoria at Drury Lane Theatre, 15 November 1837 by Edmund Thomas Parris (1793-1873), drawn 1837. Royal Collection Trust/© Her Majesty Queen Elizabeth II 2016

Queen Victoria at Drury Lane Theatre, 15 November 1837 by Edmund Thomas Parris (1793-1873), drawn 1837.
Royal Collection Trust/© Her Majesty Queen Elizabeth II 2016

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The “Dash It Alls” on Romance, Writing, and the Influence of Georgette Heyer

The Recital by Vittorio Reggianini, (l1858-1938).

The Recital by Vittorio Reggianini, (1858-1938).

As some of you may remember, during the RWA Beau Monde’s 2015 celebration of the eightieth anniversary of the Regency romance novel, I wrote a weekly Georgette Heyer poll here on my site as my way of contributing to the festivities.  These polls were quite popular at the time and a great way for Heyer lovers to connect over favourite characters, favourite scenes, and best loved phrases.  It was during this time that romance authors Avril Tremayne and Jane Godman, editor Ali Williams, and I formed our own little Heyer group which Ali affectionately named the “Dash it Alls” in honour of Freddy Standen from Heyer’s 1953 novel CotillionContinue reading

James Tissot’s Fashion Plates (1864-1878):  A Guest Post by Lucy Paquette

Today, I am very pleased to welcome art historian and author Lucy Paquette  with a fascinating guest post on fashion in the paintings of Victorian era artist James Tissot!

In the Conservatory (Rivals), c. 1875, by James Tissot. Oil on canvas, 15 1/8 by 20 1/8 in. (38.4 by 51.1 cm). Private Collection. (Photo: Wikiart.org)

In the Conservatory (Rivals), c. 1875, by James Tissot.
Oil on canvas, 15 1/8 by 20 1/8 in. (38.4 by 51.1 cm). Private Collection.
(Photo: Wikiart.org)

No one captured the rapidly-changing fashion trends of the 1860s and 1870s like French painter James Jacques Joseph Tissot (1836 – 1902).  Tissot was more than merely a painter of fashionable women.  His mother and her sister were partners in a successful millinery company.  Tissot’s father established a booming business as a wholesale linen draper – a trader in fabrics and dress trimmings to retailers and exporters.  At 19, Tissot moved to Paris to study painting, and he gained the technical skills to record the fashionable female form of this period – tall, slim figures heightened by high chignons, hats, and heels, with silhouettes changing every few years. Continue reading

This is Death: A Guest Post on George IV by Catherine Curzon

Today, I am very pleased to welcome royal historian and author Catherine Curzon with a fascinating guest post on the death of King George IV!

George IV by Sir Thomas Lawrence, 1814.

George IV by Sir Thomas Lawrence, 1814.

“It has pleased Almighty God to take from this world the King’s Most Excellent Majesty.  His Majesty expired at a quarter past three o’clock this morning, without pain.”[1]

Before I even put pen to paper to write Life in the Georgian Court, I had a soft spot for all things George IV.  I’m fairly uncommon in this, as George is a far from popular fellow thanks to his love of spending, excess and treating the world as though it was his and his alone. Continue reading

Medieval Hairstyles for Men and Women: Guest Post By Regan Walker

Today, bestselling historical author Regan Walker brings us a guest post on Medieval hairstyles for men and women!

Detail of Illustration form an Italian breviary showing women's figured silk gowns and a saint. Bilbliothèque Nationale, Paris, 1380.

Detail of Illustration form an Italian breviary, Bilbliothèque Nationale, Paris, 1380.

The Medieval Era spanned the 5th to the 15th century.  For my Medieval Warriors series, I did considerable research on the hairstyles of men and women during the Medieval Era, though my particular interest was the 11th century.  For my newest book in the series, Rebel Warrior, I also needed to know how the hairstyles might have differed in Scotland. Continue reading

Mad as a Hatter, an Adder, or an Oyster

Alice's Mad Tea Party by John Tenniel, 19th Century.

Alice’s Mad Tea Party by John Tenniel, 19th Century.

I’m guest posting today over at Geri Walton’s wonderful History of the 18th and 19th Centuries blog!  If you would like to learn more about the perils of 19th century mercury-based hat making and the origins of the popular phrase “as mad as a hatter,” do stop by and have a look at my new article Mad as a Hatter, an Adder, or an Oyster.  You can click through HERE.

Wolves in Medieval England: Guest Post by Regan Walker

On this week’s edition of Animals in Literature and History, I bring you bestselling author Regan Walker with a guest post on Wolves in Medieval England!

Wolf after sheep, Bestiario Medieval.

Wolf after sheep, Bestiario Medieval.

Their prevalence

Wolves were prevalent in England during the medieval era.  One of the earliest references to them is contained in a 6th century genealogy of the East Anglican founder of a dynasty called Wuffa, whose tribe was known as the Wuffings, or “wolf people”.  They were believed to have originated in Scandinavia. Continue reading