Chaucer, Robert Burns, and Lassie: The Collie in Literature and History

No Walk Today by Wright Barker, (1864–1941).

No Walk Today by Wright Barker, (1864–1941).

The Rough Collie is one of the most recognizable dog breeds in the world.  This is largely due to English author Eric Knight who, in a 1938 short story, created what is arguably the greatest literary heroine of all time – Lassie.

Photograph of Pal as Lassie, 1943.

Photograph of Pal as Lassie, 1943.

In 1940, Knight’s short story was expanded to novel length and published under the title Lassie Come Home.  In 1943, MGM adapted the novel to the screen.  Starring Roddy McDowell, Elizabeth Taylor, and a male Collie by the name of Pal in the role of Lassie, it was a resounding success, inspiring eleven additional movies over the next sixty years.

Lassie was not the first famous literary Collie.  In his 1919 novel, Lad: A Dog, American author Albert Payson Terhune introduced his own Rough Collie, Lad, through a series of twelve short stories.  The novel was a bestseller, selling well over a million copies, and Warner Brothers adapted it to film in 1962.  Though the film was not as successful as Lassie, the novel still remains popular today.

 Rough Coated Collie by James Ward, 1809.

Rough Coated Collie by James Ward, 1809.

In the 1800’s, Collies were far from the glamorous, beauties we have become used to on the silver screen.  In fact, an 1825 entry in An Etymological Dictionary of the Scottish Language  by John Jamieson defines the word Collie as “the vulgar name for the shepherd’s dog” or “a cur dog.”  It goes on to quote an item from an 1806 Edinburgh newspaper:

“There was lost in Prince’s Street, on Saturday the 28th December last, a black and white rough coley, or shepherd’s dog.”

“Coll” was a common name for Scottish dogs in the 19th century.  Some attribute it to the following passage from Chaucer’s The Nun’s Priest’s Tale (14th century) in which the word Colle appears to be used as a proper noun:

This sely widwe, and eek hir doghtres two,

Herden thise hennes crye and maken wo,

And out at dores sterten they anoon,

And syen the fox toward the grove goon,

And bar upon his bak the cok away;

And cryden, ‘Out! harrow! and weylaway!

Ha, ha, the fox!’ and after him they ran,

And eek with staves many another man;

Ran Colle our dogge, and Talbot, and Gerland,

And Malkin, with a distaf in hir hand;

Ran cow and calf, and eek the verray hogges

So were they fered for berking of the dogges.

Robert Burns by Alexander Nasmyth, 1787.

Robert Burns by Alexander Nasmyth, 1787.

In the same poem by Chaucer, the fox is referred to as “A col-fox ful of sly iniquitee.”  Some interpret this as meaning a black fox.  Others disagree, claiming that the “col” in col-fox means cunning.

However the name Collie originated, we see it used to describe the Highland shepherd’s dogs of Scotland from as early as the 18th century.  In his poem The Twa Dogs (1786), Scottish poet Robert Burns famously writes of a ploughman’s Collie.  The opening lines are as follows:

The Twa Dogs

TWAS in that place o’ Scotland’s isle,

That bears the name o’ Auld King Coil,

Upon a bonnie day in June,

When wearing thro’ the afternoon,

Twa dogs that were na thrang at hame,

Forgather’d ance upon a time.

 

The first I’ll name, they ca’d him Caesar,

Was keepit for his Honour’s pleasure:

His hair, his size, his mouth, his lugs,

Shew’d he was nane o’ Scotland’s dogs;

But whalpit some place far abroad,

Where sailors gang to fish for Cod.

 

His locked, letter’d, braw brass collar,

Shew’d him the gentleman and scholar;

But though he was o’ high degree,

The fient a pride na pride had he;

But wad hae spent an hour caressin,

Ev’n wi’ a tinkler-gypsey’s messin.

At kirk or market, mill or smiddie,

Nae tawted tyke, tho’ e’er sae duddie,

But he wad stan’t, as glad to see him,

And stroan’t on stanes an’ hillocks wi’ him.

 

The tither was a ploughman’s collie

A rhyming, ranting, raving billie

Wha for his friend an’ comrade had him,

And in his freaks had Luath ca’d him,

After some dog in Highland sang,

Was made lang syne—Lord knows how lang.

A Special Pleader by Charles Burton Barber, 1893.

A Special Pleader by Charles Burton Barber, 1893.

Collies are also mentioned several times in Bannockburn: A Novel (1821).  A Scottish story published by an anonymous author, it places the Collie in an authentic Highland setting:

“There the noise of his hoofs against the rude pavement drew forth the angry howl of a collie dog which had crept for shelter underneath the tartan plaid of a robust looking Highland soldier…”

And my own favorite bit of quoted dialogue from Bannockburn:

“I hae greetit my een out for fear o’ the weird woman or Shellycoat coming here, and only me i’ the house, forbye the collie and the cat.”

Sharp, Queen Victoria's favourite Collie, 1872.(Royal Trust Collection)

Sharp, Queen Victoria’s favourite Collie, 1872.
(Royal Trust Collection)

During a trip to the Highlands in the mid-19th century, Queen Victoria was deeply impressed by the Collie’s intelligence, loyalty, and sensitivity.  She added a Collie to her retinue of royal pets.  From then on, the breed was one of her particular favorites.  Biographer Sarah Tooley writes:

“Her Majesty has a special fondness for collies, and among these faithful animals ‘Noble’ and ‘Sharp’ were for many years chief favourites, and always travelled with her to and from Balmoral.  ‘Noble,’ [the queen] writes in her diary, ‘is the most biddable dog I ever saw.  He will hold a piece of cake in his mouth without eating it, until he may.  If he thinks we are not pleased with him, he puts out his paws and begs in such an affectionate way.’”

It should be noted that the Queen’s Collies, Noble and Sharp, bear far more resemblance to Border Collies than they do to Rough Collies.  It raises the question: how much of the literature of the 18th and 19th century which refers to Collies was, in fact, referring to Border Collies?  Since no differentiation is made, it is difficult to tell.

Official Portrait of First Lady Grace Coolidge with her white Collie by Howard Chandler Christy, 1924.

Official Portrait of First Lady Grace Coolidge with her white Collie
by Howard Chandler Christy, 1924.

In any case, Queen Victoria is credited by many with elevating the status of the Collie from mere shepherd’s dog or cur to elegant, society canine.  Dr. O. P. Bennet describes this elevation of status in his book The Collie:

“It became a common sight to see the fashionable ‘Collie companion,’ spick and span, well groomed, revealing a life of luxury, fulfilling, with all the alacrity of satisfaction, the mission of accompanying its owner on his customary ambulations.”

The American Kennel Club first recognized the Collie as a breed in 1885.  Today, they rank the Collie as the 35th most popular breed in the United States.  It is easy to see why.  Collies are graceful, sensitive, dignified, and sharply intelligent.  Some still work on farms herding sheep and keeping an eye on livestock.  Others have had the herding instinct all but bred out of them.  Either way, they are one of the most wonderful breeds of dog ever created and, though they may not go so far as saving you from a well (à la Lassie), I have never known anyone who regretted having a Collie as a member of their family.

Elizabeth Taylor and Pal in Lassie Come Home, 1943.

Elizabeth Taylor and Pal in Lassie Come Home, 1943.

Thus concludes another of my Friday features on Animals in Literature and History.  To learn more about Collies like Lassie or to adopt a Collie of your own, I encourage you to visit the following sites:

The Collie Club of America (United States)

The American Kennel Club (United States)

Collie Rescue – Rough and Smooth (United Kingdom)

Mimi Matthews is the author of The Pug Who Bit Napoleon: Animal Tales of the 18th and 19th Centuries (to be released by Pen and Sword Books in November 2017).  She researches and writes on all aspects of nineteenth century history—from animals, art, and etiquette to fashion, beauty, feminism, and law. 

Sources

 Bannockburn: A Novel.  Vol. I.  Edinburgh: William Blackwood, 1821.

Bennett, Dr. O. P. and Wheeler, C. H.  The Collie.  London: Vintage Dog Books, 1924.

Burns, Robert.  The Poetical Works of Robert Burns including the Pieces Published in his Correspondence and Reliques; with his Songs and Fragments.  London, T. Cadel and W. Davies, 1817.

Chaucer, Geoffrey.  The Canterbury Tales: Fifteen Tales and the General Prologue.  Norton Critical Editions, 2nd ed.  New York: Norton, 2005.

Jamieson, John.  An Etymological Dictionary of the Scottish Language.  Edinburgh: William Tait, 1825.

Knight, Eric.  Lassie Come Home.  New York: Henry Holt Publishing, 2015

Terhune, Albert Payson.  Lad: A Dog.  New York: Puffin Books, 1993.

Tooley, Sarah A.  The Personal Life of Queen Victoria.  London: Hodder and Stoughton, 1897.


© 2015-2017 Mimi Matthews

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8 thoughts on “Chaucer, Robert Burns, and Lassie: The Collie in Literature and History

  1. Sarah Waldock says:

    I note that Queen Victoria’s pair were named in a fashion pairs should be, one of one syllable and the other of two and different vowels. Whether this means Queen Victoria had an appreciation of working dogs or whether someone else named them is hard to say. This naming convention is to enable two dogs working together to be absolutely certain which is being named, [I was told this by a collie owner and it makes sense so I don’t dispute it]

    Liked by 1 person

    • Mimi Matthews says:

      An interesting point, Sarah. I don’t know if they came already named when Queen Victoria got them, but you’re right about the naming of working dogs. Thanks for commenting 🙂

      Like

  2. Renée Reynolds says:

    I’ve really enjoyed this series! I notice so much more about animals while doing my “authorly” research.

    This is barely on your topic, but in reference to the difference between the portrait of Queen Victoria’s collie, Sharp, and how collies look today, I saw a fascinating documentary over Christmas about the different characteristics bred into a variety of dogs, all in the hopes of achieving that glorious “perfect” breed. It was on PBS (but could have been a BBC or ITV production) and was pretty caustic about how The Kennel Club (UK) and American Kennel Club have been detrimental to the health of several dog breeds. Portraits of bulldogs and spaniels from the early 19th century, for instance, are nearly unrecognizable when compared to their contemporary counterparts. All this to say that it’s highly probable that current definitions of the rough collie breed (so-called standards) have changed as certain characteristics were bred in and out of the collie.

    Liked by 1 person

    • Mimi Matthews says:

      So glad you like it, Renee! And your comment is perfectly on topic. Over the last 100 years and more, you can see in paintings the sometimes dramatic change in the appearance of purebred dogs as breeders work to create some version of an “ideal.” Often, that has resulted in health problems and, even more frequently, a loss of those instincts and characteristics for which the dog was original bred.
      Back in Queen Victoria’s reign, she had several dogs classified as “Collies.” One of them, ‘Darnley’, actually resembled a Rough Collie, while many of the others resembled Border Collies. Both breeds have evolved into the varieties of dog we recognize today. I just wish literature from Chaucer’s age on would have made subtle differentiation in the generic Shepherd’s collie dog so we might get a sense of which variety of collie dog it was!

      Liked by 1 person

    • Mimi Matthews says:

      So glad you enjoyed it, Sarah! I love Robert Burns as well. There are a few videos on YouTube of people reading his poetry in authentic accents. It always sound beautiful.

      Like

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